Abstract
Anne T. Barbeau. “Satan's Envy of the Son and the Third Day of the War.“Clifford Davidson. “The Young Milton, Orpheus, and Poetry.“H. Neville Davies. “Laid Artfully Together: Stanzaic Design in Milton's ‘On the Morning of Christ's Nativity.'“James Egan. “The Satiric Wit of Milton's Prose Controversies.“Albert C. Labriola. “Milton's Use of Neo‐Latin Reference Books.“Michael J. Marcuse. “The Pre‐Publication History of William Lauder's Essay on Milton's Use and Imitation of the Moderns in his Paradise Lost.“Mary Ann McGuire. “'A Most Just Vituperation': Milton's Christian Orator in Pro Se Defensio.“James M. Rosenheim. “An Early Appreciation of Paradise Lost.“Maren‐Sofie Røstvig. “Elaborate Song: Conceptual Structure in Milton's ‘On the Morning of Christ's Nativity.'“Lynn V. Sadler. “Relations Between Alchemy and Poetics in the Renaissance and Seventeenth Century, With Special Glances at Milton and Donne.“Lynn V. Sadler. “The Problem of the Ending of Samson Agonistes: Aristotle Plus Reorientation.“J. B. Savage. “Freedom and Necessity in Paradise Lost.“James H. Sims. “The Epic Narrator's Mortal Voice in CamõTes and Milton.“S. Viswanathan. ‘“In Sage and Solemn Tunes': Variants of Orphicism in Milton's Early Poetry.“
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