Abstract
The first retrospective exhibition of Chinese-French artist Zao Wou-ki (1920-2013)2 in the United States, No Limits: Zao Wou-ki, was on view at the Asia Society, New York, from September 9, 2016 to January 8, 2017. In the age of globalization, the exhibition’s title “No Limits” not only refers to Zao’s first name, which literally means limitless in Chinese, but also implies the expatriate experience of Zao and the transnational art world in which Zao was actively involved.
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