Abstract
Other| July 01 2023 About the Authors Music and the Moving Image (2023) 16 (2): 55. https://doi.org/10.5406/19407610.16.2.05 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation About the Authors. Music and the Moving Image 1 July 2023; 16 (2): 55. doi: https://doi.org/10.5406/19407610.16.2.05 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressMusic and the Moving Image Search Advanced Search gillian b. anderson is a musicologist and orchestral conductor who has restored, reconstructed, or commissioned scores for over fifty mute films for performances with orchestras throughout Europe and North and South America. A number of her scores are available from Criterion Films and from the Museum of Modern Art. Her books include Music for Silent Films 1898–1929: A Guide and the translation of Ennio Morricone and Sergio Micelli's Composing for the Cinema. Her edition of the score for Way Down East (D. W. Griffith, 1920) is forthcoming from the AMS in its series Music of the United States of America. www.gilliananderson.itchristy thomas adams is an assistant professor of musicology at the University of Alabama School of Music. Her research focuses on the intersection between Italian opera and emerging media technologies at the turn of the twentieth century, with broad interests in the history of media technologies and the... You do not currently have access to this content.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
