Abstract
<i>The Peach Blossom Fan</i>, published in Kaizosha’s magazine <i>Tairiku</i>, is not included in <i>The Complete Works of Takeda Taijun</i>. This paper first explores the background of the publication of Taijun in <i>Tairiku</i> by examining the relationship between Taijun’s works published by Kaizosha before the war and other texts that are not included in Taijun’s complete works. It then discusses <i>The Peach Blossom Fan</i>. Finally, in light of the politics surrounding literary exchanges and Eastern Classics Studies during the Sino-Japanese War, the paper shows the path along which this text traveled to assume its position in Taijun’s oeuvre.
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