Abstract

Current discussions of contentious performances profitably draw upon a revival of theories of culture, emotion, and performance. Yet status theory and status claims-making continue to be neglected in the mix because of their received associations with classical tension theory and unpopular functionalist models of collective behavior. Because most social movement participants are outsiders to the ‘halls of power,’ their dependence upon the rhetoric of status in cultivating moral influence is much more fundamental than previously acknowledged, although this relation is hinted at in Tilly's notion of contentious performances. Efforts to recover status theory navigate between two major mistakes in past theories of collective behavior: the voluntaristic overemphasis of affective manipulation by charismatic leaders, and the deterministic conflation of status with large reified social structures. The concept of reception fields is proposed to refer to the relational, fluid, social–psychological status dynamics between movement leaders and audiences during contentious performances, in which distinction and rhetoric are mutually constitutive. The article situates eloquence or the emotional energy of protest rhetoric in the dramaturgical performance of status dynamics within the immediate reception field. The utility of this approach to status rhetoric is illustrated with respect to American antislavery abolitionism.

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