Abstract
Through the sentimental-criminal adventures of Audrey Astier the beekeeper, Valérie Valeix’s heroine, we discover how an ‘FSP’ (fiction with professional support) manages to take into account the honey people. However, bees, or their more aggressive cousins, wasps, can be the vectors of real horror scenes when they are used as predators or as weapons of mass destruction; it is their dark side, which makes them both personal friends and helpless victims of the mercantile madness of Men. There remains the constant parallel between the destiny of the apiary, threatened, indispensable and valiant, and our own world, vulnerable, prey to our self-destructive impulses, even if precious and essential: apis servat homines!
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