Abstract

This visual essay shows the relationship between urban analysis and the use of archival images. Firstly, the research process for the realization of this work will be explained, in which photography is an important tool to understand the urban morphology and help to complete and document the theoretical part of my master thesis Inhabiting Water, Public Wash-houses of Oporto: an experience of women in modern city (2020) - which is a theoretical-practical work. Secondly, the historical dimension of the public wash-houses construction will be discussed, showing the invisibility of women in urban and public space - and in the history of urbanism. This invisibility has motivated the search for areas related to the experience of women in the modern city (19th and 20th centuries), assuming that wash-houses are an observatory of urban hospitality (Perrot 1997, 160) and also of women’s practices on the territory. We will see that, in the contemporary urban space, the wash-houses are abandoned and form a network of places in the city. These ruins are potential cultural facilities to be brought out of oblivion. The photographic work carried out during the master thesis took shape in an interactive map (https://maphub.net/chldmn/lavoirspublicsporto) that shows a selection of photographs from 1940 - with women in red to identify their presence in the washhouses - and photographs taken during the summer of 2020. The integration of these wash-houses in the Oporto Water Heritage Park, protected by the UNESCO Global Network of Water Museums, is one of the outcomes of this research.

Highlights

  • This visual essay shows the relationship between urban analysis and the use of archival images

  • “I didn”t know photography would take me to the places that it has taken me.”

  • My research process consists of walking around the city to look for the abandoned spaces that are the public wash-houses, in order to make an inventory of these places and to bring them out of the oblivion in which they are gradually being immersed

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Summary

Showing the invisible

My research process consists of walking around the city to look for the abandoned spaces that are the public wash-houses, in order to make an inventory of these places and to bring them out of the oblivion in which they are gradually being immersed. Using photography has made it possible to create a systematization of representation of the washhouses in order to make it possible to compare them with the archive images. Photography is both a tool for the representation of reality and a support for the analysis of past social practices in the areas of public wash-houses. The imaginary photographic work of Dora Maar (Fig.1) reveals a relationship between women and water. She illustrates this link with her surrealist manipulation and fabrication of the image. Artur Pastor’s photographic work of documenting Oporto in the 1950s-60s (Fig.2) was crucial in understanding and interpreting the archive photographs of the Heritage Information and Interpretation Unit (U2IP) dating from the 1940s. His work shows the quotidian in the city during the dictatorship of Salazar, confirming the abundant presence of working class women in the streets of the Ribeira carrying baskets of white sheets or selling merchandise, and on the riversides of the Douro River, washing their clothes

Water Territories
Everyday Life
Transforming Old Stones
Countering Oblivion
Full Text
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