Abstract
Some of the most experimental and exciting work using sound and spatiality has come from the art world. This essay traces how an exciting hybrid of sound art and walking – the sound walk - has evolved over the last century. Examining the latest examples of sound walks in London and New York, and reflecting on the author's experience of creating a sound walk route, this essay focuses on the potential of this medium to create flowing, multi-sensory and embodied ways for social and cultural geographers to research the outside environment. The essay concludes that the medium could also be useful for presenting site-specific cultural geography to the public in an accessible and inclusive way.
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