Abstract

This article examines the vulgar folklore of pornocorridos, sexually explicit ballads that have circulated Mexican popular culture since the 1970s. Current literature on pornocorridos argues that the subgenre is misogynistic and a violation of women's bodies. These anti-pornographic critiques resemble the feminists debates of the 1970s and 1980s, which argued that pornography was destructive and an expression of woman-hatred. This article argues that a perverse reading of pornocorridos shows us that this music genre transgressed normative ideas about sexuality and that contemporary Mexican performers reimagine this vulgar folkloric practice to explore semi-sadomasochistic sex and lesbian sexual desires. The subgenre of pornocorridos has the potential to create sonic spaces that imagine, challenge, and create fantasies of brown sexual pleasures.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.