Abstract

In April 1898 at Ceglie near Bari there was discovered a large tomb, the principal contents of which consisted of a number of vases, some entire but most of them in a fragmentary condition, which were later acquired by the Taranto Museum, where they now are. Two of these vases, both large volute kraters, on account of the great interest of the subjects and of the general excellence of their composition and drawing, are of the highest importance for the study of early South Italian pottery and it seems surprising that they have remained so long unpublished, despite an ever-increasing amount of literature about them. One, published earlier in the present year, depicts (a) seated Dionysus surrounded by his followers and (b) on the upper register, Perseus terrifying the silens with the Gorgon's head, and below, dancers at the festival of the Karneia. The other vase (Plates VIII, IX) is even more richly figured as it has separate scenes on the neck as well. Its obverse shews (i) a scene from the fight between the Centaurs and Lapiths, (ii) the birth of Dionysus; and the reverse, (i) Herakles served by silens, (ii) an Amazonomachy. Two are subjects common in the repertory of the vase painter, two are rare.

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