Abstract
In writing the histories of film practitioners such as C. Krishnaveni, one recognizes the value of how their vocalities, literal and metaphoric, as observers, creative artistes and enablers are indicative of the form that cinema has historically taken within specific spaces of language and culture. This article reviews key themes and developments around the encoding of voices of early actors and singers, places their contribution in the cultural and linguistic context of South India and notes their historical position in innovating with cinematic technologies and creating new musical and narrative materials.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
