Abstract
Nathalie Sarraute, Gilles Deleuze, and Félix Guattari, particularly in Entre la vie et la mort and A Thousand Plateaux , present an idea of rhythm that attunes us to a non-signifying dimension of language. The force of rhythm at once sustains creation and reveals the common lifedeath matter from which both words and bodies (the writer’s, the reader’s) are made.
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