A tridimensionalidade sonora: Peter Greenaway em 3x3D

Abstract

The film 3x3D (France / Portugal, 2013) is composed of three segments directed by three great directors. In the film’s order they are: Peter Greenaway, Edgar Pera and Jean-Luc Godard. All of them present images in three dimensions with a proposal of aesthetic experimentation. Even though it is the one that most develops a narrative structure close to linear, Greenaway’s segment, Just in time, has the superposition of images in multilayers as a differential. Usual in the filmography of this British director and used since the beginnings of cinema, this montage feature is an exception, if not an innovation, when added to the effect of 3D cinema. This article allows the investigation of how the design of voices, music, and sound effects contributes with additional layers to image superpositions. Thus, it’s possible to evaluate how, through montage, Greenaway’s work adds complexity both to the construction of superposing layered images, created to be visually perceptible as such, and to the sonic constructions of his segment in the film, suggesting sensitivities through sophisticated soundscapes.