Abstract
In 1748, an image of Our Lady of Sorrows brought from Mexico by Marcos Torres, an Indiano born in Tenerife who made his fortune in New Spain, was enthroned with a festivity and sermon. The image of the Virgin was accompanied by a stuffed crocodile that can still be seen in the shrine. Torres claimed the Virgin saved him from the crocodile in Mexico and the animal became an extreme form of exvoto, an allegory, reminding him and fellow countrymen of the dangers and perils of becoming rich in the New World. The material history of these sacred objects transformed this singular Canarian shrine filled with American objects of devotion and local pieces. I explore how the material history of sacred objects can reveal information about their devotion, but also the circumstances surrounding them. In this case, the perils of transatlantic travel and American landscape for a foreigner as the Indiano, and how this materiality was explained and recontextualized in a new setting, reconfigured as a hybrid space hosting American devotions and peculiar exvotos.
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