A study on the concepts and themes of color and light in the exquisite islamic architecture

Abstract

Today, diverse ideologies, thoughts, and beliefs exist in the world all of which try to transfer concepts and ideas to others using the indirect language of semantics. In this regard, architecture, especially the valuable architecture of Iran with wide application and permanent presence in human life has gained considerable attention. Iranian art has always been in coordination with the spirit of Islam and an indicator of its truth. Architecture is where meaning is represented in the formal, structural, and spatial aspects. Light and color are two important visual elements of formation and cognition of architectural works. Color does not manifest by itself unless it is seen through a design, when becomes the origin of work and intervenes in its sense of space. It should be considered that how the existence of light and color in the patterns has been effective in the environmental psychology and how the space is defined in terms of these two elements? And whether the sole use of light and color in the historical architecture was to represent meaning? The present study adopts a descriptive-analytical approach to review and explain the semantic elements of light and color, their application and conceptual features in the historical architecture and hence examines these two distinct elements in the art and architecture of the past and tries to find their semantic features to the extent that have influenced the face and essence of modern architecture in the hope of providing useful insights for the modern architecture.