Abstract
Iranian Islamic art refers to the works of culture and civilization of the Iranian Muslim nation in the Islamic era. In its thinking and epistemological nature, it has a different language from simile and purification and is associated with a rich philosophy called "decoration" based on spiritual manifestations. Therefore, in creating works based on a simile and purification attitude, the existence of truth has never been neglected and the art world has been considered as manifestations of truth. This research is a descriptive and analytical research. Through documents, libraries and field observations, various data were collected by examining the principles and components of simile and purification with emphasis on Ibn Arabi's point of view and analyzing of how the Muslim artist used and his goals of using the combination of the two components in the philosophy of decoration. The results show that "simile and purification", as a mystical approach, has led to the formation of a special language in the structure of Iranian art; therefore, in the philosophy of decoration, the mystic artist has used it as a tool to manifest the beauty and perfection of God in forms through the embodiment of unity.
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