Abstract
This article tries to explore the theory of nationalism and its significance in dystopian fiction through the study of Suzanne Collins' The Hunger Games trilogy. It investigates how dystopian elements are linked to nationalism, as well as how frequently dystopian narratives blow warnings against nationalistic sentiment. In Collins' speculative narrative, the article examines the ambiguity of the belief that a liberalized economy, globalized media, and communication will lead to a perfect society in the future. Panem is a fine example of a dystopian nationalist country that deprives people of their rights and resources while being dominated by rulers that are only interested in money and power. The examination of The Hunger Games trilogy aims to highlight that national identity, as it is imposed on people, pushes the entire society into a dystopian reality.
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