Abstract
This paper believes that Zhou Enlai successfully set up a mythical father image through the operation of ideology. The purpose of this paper is to deconstruct how this image is established in the film Zhou Enlai through the research method of ideology, and find evidence to demonstrate this point of view through the study of the film text. This paper will study the key ideographs of each scene, and in the process of study, attention will be paid to the activities of each paragraph to avoid the stillness of each segment.
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