A Study of the Baiga Women's Tradition of Tattoos, Modernization of this Art and Situation of Tattoo Industry in India

Abstract

The Polynesian term "Ta," which signifies hitting something, or the Tahitian word "tatau," according to some anthropologists, may be the source of the word "tattoo." It is "to mark something." Since before the start of the Christian era (CE), tattooing—a kind of bodily modification—has been ingrained in the cultures of many indigenous tribes worldwide. It is also demonstrated by anthropological evidence of various tattoo designs from various cultures that tattooing originated independently in many parts of the world. For various tribes across the nation, getting tattoos has always been an essential aspect of daily life. Tattoos are considered an essential component of the culture and history of the Baiga tribe's women. With the tribal people of Central India, tattooing, sometimes referred to locally as "Godna," is a common form of body art that has deep cultural significance. In this work, the importance of tattoo culture among the women of the Baiga tribe in central India is discussed and examined. This study aims to provide an overview of the Baiga tribe the Particularly Vulnerable Tribal Groups (PVTGs) of Central India. It also explains the tattooing process, from the development of the indelible ink to the tattoo artist's application of the ink into the skin's dermis layer. At present, this art has been modernized to a great extent and the tattoo industry has become a major identity all over the world. At the same time, it has spread to many states in India as well. There are immense possibilities of development in this field in the future.