Abstract
The film "Stone City on the Cloud" focuses on a stone city of the Naxi people in Yunnan, telling the twisted and touching story of the Musilong family. The film differs from other minority films of the period in that the director tries to break through the traditional patterns of these subjects and find a new path for the merging and compatibility of modern culture and traditional minority culture. This paper explores the film through the integration of the subjectivity of the "other", the transformation of "community consciousness" and "spectralization", using Grimes' "meta-model of action" theory.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
