Abstract
This article describes research undertaken with a ‘drawing dance’ project, which suggests that thinking about cultural practices in terms of synaesthesia and developing research methods that involve inter-practice encounters to enliven these synaesthetic qualities might help to invigorate non-representational efforts to apprehend affect.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
