Abstract

By mixing industrial, metallic sounds and organic, throaty sounds, Kitchen Sink creates an acoustic universe that is at once repulsive and alluring. The article takes a phenomenological and deep listening approach to investigate how the soundtrack of Kitchen Sink contributes to the ambiguous narrative of the film.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call