A shift toward harmonics for high-frequency calling shown with phylogenetic study of frequency spectra in Eneopterinae crickets (Orthoptera, Grylloidea, Eneopteridae)

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Dominant frequency is an important feature of cricket song, as it can be used for species recognition and mate choice. The dominant frequency usually ranges from 2 to 8 kHz and corresponds to the fundamental frequency of the song. In preliminary studies we documented high-frequency songs in the subfamily Eneopterinae. To analyse this phenomenon further, we investigate the spectral properties of these cricket songs. Based on the analysis of the frequency spectra in reference to phylogeny, we show that a shift of dominant frequency from the fundamental toward the second or the third harmonic of the song occurred in the Lebinthini tribe. In this clade the upper harmonics (second or third) become the most powerful frequencies of the song. From an evolutionary point of view, we document a case of convergence toward high-frequency calling between species of Eneoptera Burmeister, 1838, which emit alternatively low and high fundamental frequencies, and the Lebinthini, which emit high frequencies using upper harmonics. Functional hypotheses are discussed to explain how these high frequencies could be produced.