Abstract

Carol Sommer is an artist based in Darlington, UK with an interest in Process Art. She is engaged in a project using the works of novelist and philosopher Iris Murdoch in innovative ways. Her book Cartography for Girls: A-Z of Orientations Identified within the Novels of Iris Murdoch was published by Information as Material in 2016.The following discussion of the relationship between textual process and subjectivity in her responses to the novels of iris Murdoch arose out of conversations that Carol and I have had over the years, and my deep interest in her philosophy and methodology which are so different from mainline Iris Murdoch scholarship. The interview was conducted by email in April 2017.

Highlights

  • The following discussion of the relationship between textual process and subjectivity in her responses to the novels of iris Murdoch arose out of conversations that Carol and I have had over the years, and my deep interest in her philosophy and methodology which are so different from mainline Iris Murdoch scholarship

  • Frances: What is your background and training and your current job? Carol: I did a Fine Art degree at Cleveland College of Art & Design, an MA in Fine Art Practice at Northumbria University and started a PhD that I am currently studying at Leeds Beckett University in 2013

  • I’ve worked at Queen Elizabeth Sixth Form College in Darlington since 2004, where I teach on the Fine Art and Critical & Contextual Studies in Art & Design courses

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Summary

Introduction

The following discussion of the relationship between textual process and subjectivity in her responses to the novels of iris Murdoch arose out of conversations that Carol and I have had over the years, and my deep interest in her philosophy and methodology which are so different from mainline Iris Murdoch scholarship. Her book Cartography for Girls: A-Z of Orientations Identified within the Novels of Iris Murdoch was published by Information as Material in 2016.

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