Abstract

This article studies the architectural design of two recently opened Holocaust museums, the Los Angeles Museum of the Holocaust (LAMOTH) and the Illinois Holocaust Museum & Education Center, and reveals them as corresponding to different approaches toward Holocaust commemoration. The highly symbolic design of architect Stanley Tigerman's Illinois Holocaust Museum is representative of a ‘Jewish-American model’ that links Holocaust commemoration to the reinforcement and empowerment of Jewish identity, while architect Hagy Belzberg's abstract design for the LAMOTH exemplifies a ‘universal model’ which teaches the events of the Holocaust in order to ensure a more moral future.

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