Abstract
Abstract This article presents a discussion among activists, artists, and scholars to center communalism as a political process and methodology in and across geographical and cultural political “Souths.” One of the central questions that this article raises is how to create diverse and heterogeneous strategies for the sustainability and creation of the collective spirit during the conjunctural and structural crises of the Global South and the exhaustion that it produces among those living there. Among themes in the discussion are art, culture, and spirituality as decolonial practices with a historical and ethnic perspective of Black communalism of the South in the context of the United States and Venezuela based on collective life existing before and beyond the European legacies of the commune.
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