Abstract
This article describes and analyses a zoomorphic siltstone palette housed in the Metropolitan Museum of Art (MMA 10.176.84). The palette is first situated within the wider corpus of zoomorphic palettes from the Naqada II Period. Considerations of form and design accompanying the development of palettes during Naqada I/II, and comparisons with visually similar forms attested on knife handles and other palettes, suggest that MMA 10.176.84 may represent a fish–antelope composite figure, ‘antelope’ here being broadly defined as a non-domesticated, horned quadruped of the Bovidae family. It is the first example of a palette modelled as such. The social functions of palettes in Predynastic southern Egypt are then outlined in order to consider the significance of modelling a palette in this way, as well as to explore implications of the palette’s form for understandings of cultural developments in the late Predynastic Period.
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