Abstract

Techniques of using convolutional neural networks (CNNs) to colorize monochrome still images have been widely researched. However, the results of automatic colorization are often different from the user's intentions and historical fact. A lot of color correction work still needs to be done in order to produce a colorized video. This is a major problem in situations such as broadcasting production where footage must be appropriately colorized in accordance with historical fact. In this article, we propose a practical video colorization framework that can easily reflect the user's intentions. The proposed framework uses a combination of two CNNs-a user-guided still-image-colorization CNN and a color-propagation CNN-that allows the correction work to be performed efficiently. The user-guided still-image-colorization CNN produces key frames by colorizing several monochrome frames from the target video on the basis of user-specified colors and color-boundary information. The color-propagation CNN automatically colorizes the entire video on the basis of the key frames, while suppressing discontinuous changes in color between frames. A quantitative evaluation showed that it is possible to produce color video reflecting the user's intention with less effort than with earlier methods.

Highlights

  • V IDEO from old monochrome film has strong artistic appeal in its own right, and contains many important historical facts and lessons

  • The ACT dataset consists of short video clips for the recognition of actions, and it was used directly for training the color-propagation convolutional neural networks (CNNs)

  • We proposed a colorization framework for monochrome videos in which it is possible to perform colorization reflecting the user’s intentions

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Summary

Introduction

V IDEO from old monochrome film has strong artistic appeal in its own right, and contains many important historical facts and lessons. It tends to look very old-fashioned to viewers. Outside of TV program production, there are many other situations where colorization of monochrome video is required. It can be used as a means of artistic expression, as a way of recreating old memories [3], and for remastering old images for commercial purposes. Efforts have been made to reduce costs by using computers to automate the colorization

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