Abstract
Among the French philosophers who discuss the literature of writer Marquis de Sade, Maurice Blanchot presents a unique interpretation. For Blanchot, literature is the theme par excellence on which his entire oeuvre has been built. It is not, however, the case that Blanchot reads several literary forms and invents new concepts to map out a certain form of literature. His thinking about literature is indeed accompanied by an ideal and his interest goes out to a particular kind of writer, namely the writer who feels closely related to revolution. This implies that Blanchot is interested in Sade because his literature is both an illustration of a certain ideal, and is stuck in the revolutionary moment of radical negation.
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