A Postmodern Analysis of Film Adaptation of E.M. Forster’s Maurice

Abstract

This study explores a postmodern analysis of film adaptation of E.M. Forster’s Maurice. It examines the difference between the novel and its film adaptation with the help of postmodern analysis. The research design of the study is qualitative, descriptive, analytical and applied in nature. Articles, journals, and books such as A Theory of Adaptation by Linda Hutcheon and Writing About Movies by Gocsik Karen are very helpful in postulating the analysis of Maurice. The main emphasis is made on the identification of the adaptation of source text Maurice by E.M. Forster. In order to achieve this goal, first of all, a review of the previous works that are related to Maurice in the field of Literature is taken into account. Secondly, an understanding of A Theory of Adaptation by Linda Hutcheon is taken into account. Also A Theory of Adaptation from different perspectives such as the appeal of adaptation, intentionality in adaptation, transcultural adaptation and the pleasures of adaptation. The findings of this study show the difference between the novel and its film adaptation in the form of cinematography, visual, arts, location, gender, wardrobe, costume, etc. In the novel, rather different plot is used than the film. In the film, the focus is only on the subplots of the novel for cinematography. In other words, there is a difference between the original text and its adaptation. This study is helpful for learners who are trying to learn and teach film adaptation.