Abstract
The ideological representations housed in one of the post-apocalyptic narratives are considered. A poststructuralist lens is used by drawing key points from Foucault (1972) and Grossberg (1992) to explicate how post-apocalyptic narrative articulates and legitimates discursive formations of thought. This article identifies social critique and the circulation of emotion, drawing from these theorists in drawing stable points of entry in theorizing post-apocalyptic traces in their culturally situated context. Social critique can often help explain which of the various sociopolitical conditions this story is emerging out of. Emotion, when conceived of as culturally political, brings discussion of the reader into the analysis and explores more ideological themes. The 2006 novel The Book of Dave represents a different attitude towards both emotion and social critique. Also, the text is unique in its use of post-apocalyptic remains, which is useful for rounding out the discussion of their roles in post-apocalyptic narratives. Overall, an argument is suggested that post-apocalyptic traces, as a crucial constituent of post-apocalyptic narrative, articulate the social critique and emotion in ways that allude to the purely textual nature of the apocalypse in order to situate stories about after The End within discursively bound context.
Highlights
Will Self’s2006 novel The Book of Dave is one of the post-apocalyptic narratives that lead to consideration on the constituted and articulated discursive statements based on the cruciality of the post-apocalyptic remains
As depicted in the analysis, the main study falls into three general categories: material items, cultural knowledge, and rituals
What these three disparate uses of post-apocalyptic remains explicate is that remains are inherently value-neutral
Summary
Will Self’s2006 novel The Book of Dave is one of the post-apocalyptic narratives that lead to consideration on the constituted and articulated discursive statements based on the cruciality of the post-apocalyptic remains. Three classifications of these remains including rituals, cultural knowledge, and material items will be considered. The article provides an in-depth examination of the event that takes place after the perceived end of the world, and the cultural artifacts that are theorized in the novel, and passed through the apocalyptic event from the contemporary times as well as the legitimate cultural discourse contained in the ideological transmogrification based on where the text emerges. Utopian and dystopian texts can fall outside the realm of post-apocalyptic narrative
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