Abstract
Tatiana, Caryl Emerson oh-la-la and No-no-no - Odintsova as woman alone in Fathers and children, Jane T. Costlow the judgement of Anna Karenina, Amy Mandelker reading woman in Dostoevsky, Harriet Murav Sonya's wisdom, Gary Saul Morson the uses of witches in Fedin and Bulgakov, Elizabeth Klosty Beaujour the mismeasure of 1-330, Sona Stephan Hoisington Cement and How the Steel was Tempered - variations on the new Soviet woman, Thea Margaret Durfee mother as mothra - totalizing narrative and nurture in Petrushevskaia, Helena Goscilo.
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