A Play to Be Read: Authorship as Marriage in Eliza Haywood’s A Wife to Be Lett (1723)

Abstract

A Wife to Be Lett (1723), Eliza Haywood’s first original comedy, is often viewed as a casual early investment in drama more productively reoriented to novel writing. Taking a contrary view, this article shows how this early play is a sophisticated, self-reflective piece in which the author rehearses what became a recurrent motif in her writing: the unique hardships besetting women’s authorship. By drawing attention to the shared predicaments of wives and women writers, Haywood’s play offers a metaphoric figuration of the woman author as a wife, providing a twist to the common trope of the writer as prostitute. A Wife to Be Lett voiced a powerful criticism against the hypocrisy of a society that relied on women (as wives and writers) for the production and circulation of capital but obstructed their efforts to do so. The play’s radical depiction of women as figures of authority and social respectability in the twin markets of marriage and literature sheds light on the moderate success it had on the stage and its far longer afterlife in print.