Abstract

This research investigated the space compositions of Chernikhov’s 101 Architectural Fantasies via computer-aided simulation to interpret the relationships between architectural components and spatial organization. An algorithmic approach and a perception approach were tested. Traditional analysis emphasized the simulation of corresponding objects by perspective deconstruction methods, which might not be able to show the exactly correct spatial relationship between objects. This research adopted photogrammetry to investigate the non-orthogonal spatial construction of 3D objects in 2D pictures. Research results showed that the algorithmic approach may derive different degrees of angles of parallel or intersected objects, and that observers tend to be misled by the effect of “orthogonal assumption” in terms of their own visual experiences. This finding revealed that Chernikhov had created unreasonable descriptions of space. This result was verified by the existence of false parallel and orthogonal relationships between drawn building parts. Three tests were conducted. Observers used a reverse verification process to analyze three-dimensional objects re-built in simulation. The verification mirrored a two-way construction relationship between 2D perspective and 3D models.

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