Abstract

The purpose of this monograph is to provide a documented score study analysis of John Corigliano’s Mr. Tambourine Man – Seven Songs to text by Bob Dylan, since up to date there has not been another documented score analysis of the particular piece from a conductor’s standpoint. The monograph aims to contribute to the performance practice, by reviewing the conductor’s preparation process, and by highlighting key performance considerations as they relate to the execution of the piece that took place on October 12th, 2012 at the School of Music at Louisiana State University. The monograph aims to serve as a guide to fellow conductors, as well as performers, music theorists and musicologists who are interested in this piece.

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