Abstract

In my office, many of the finer works on are conveniently arranged on the same bookshelf: David R. Roediger's Wages of Whiteness', Matthew Frye Jacobson's Whiteness of a Different Color, Grace Elizabeth Hale's Making Whiteness; Noel Ignatiev's How the Irish Became White; Toni Morrison's Playing in the Dark (subtitled Whiteness and the Literary Imagination); and George Lipsitz's Possessive Investment in Whiteness. l To write about whiteness is to write about an inchoate conglomeration of factors that give group advantage to white people, often without showing it explicitly factors that include old-fashioned, in-your-face racism but also supposedly colorblind things like the courts, the federal government, policy decisions, mass culture, and private institutions of all sorts. For historians interested in uncovering a usable past with which to understand the present, it is difficult to locate a long and simple narrative through-line of running from the starving time at Jamestown to the O. J. Simpson trial. Any reasonable survey of American history would find dozens of different schemes of racial classification, not all of them color-coded, and hundreds of local settings in which race had different meanings, a complexity of understanding that simply cannot be reduced to a story line in which

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.