Abstract
Abstract In a world of change photography is one of most interesting art mediums for analysis, contrast and social metamorphosis. In my research the political view discovered a new order in which was lost a certain idea of Italy, as well as lost innocence; in this article I dwell on the different series of two Italian photographers – Francesco Jodice and GianLuca Perrone – in which I focus on the macro areas of change, and the micro areas in which traditions and a precise idea of this country lost his face for an image of Paolo Sorrentino’s masterpiece La grande Bellezza. Before an analysis of the Italians photographic series of works, I explore the general topic of ‘evidence’ remembering Sascha Weidner; a romantically inclined traveller, restless, as though greeting the world for the first time with the strongest cry. Like an eccentric setting in Joe R. Lansdale’s novel, Drive-In, we are the co-stars in a convulsive world where trauma and decadence are not the exception in the collection, a recording or in a display of evidence.
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