Abstract
The Downtown Collection's holdings expansively redefine traditional archival models enabling us to rethink key elements of archival theory, methodology, and practice. Further, its commitment to documenting non-traditional subject matter and maintaining dynamic relationships with artists, donors, scholars and the public mirrors the post-structural influence that is felt in the collection. Ultimately, the Collection's efforts to open up the content of its subject-the Downtown New York scene from 1975 to the present-as well as its holdings and follow the material's lead in pushing the limits of library structures, produces an expanded archival model that houses rich forms of material, better intellectual access, and even, for some, social activism.
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