Abstract

Pitch is a perceptual correlate of periodicity. Sounds with distinct spectra can elicit the same pitch. Despite the importance of pitch perception, understanding the cellular mechanism of pitch perception is still a major challenge and a mechanistic model of pitch is lacking. A multi-stage neuronal network model is developed for pitch frequency estimation using biophysically-based, high-resolution coincidence detector neurons. The neuronal units respond only to highly coincident input among convergent auditory nerve fibers across frequency channels. Their selectivity for only very fast rising slopes of convergent input enables these slope-detectors to distinguish the most prominent coincidences in multi-peaked input time courses. Pitch can then be estimated from the first-order interspike intervals of the slope-detectors. The regular firing pattern of the slope-detector neurons are similar for sounds sharing the same pitch despite the distinct timbres. The decoded pitch strengths also correlate well with the salience of pitch perception as reported by human listeners. Therefore, our model can serve as a neural representation for pitch. Our model performs successfully in estimating the pitch of missing fundamental complexes and reproducing the pitch variation with respect to the frequency shift of inharmonic complexes. It also accounts for the phase sensitivity of pitch perception in the cases of Schroeder phase, alternating phase and random phase relationships. Moreover, our model can also be applied to stochastic sound stimuli, iterated-ripple-noise, and account for their multiple pitch perceptions.

Highlights

  • Pitch is a perceptual correlate of periodicity (Oxenham, 2012)

  • We compare the tuning of pitch frequency for missing fundamental (MF) complexes and pure tones (Section 3.1)

  • When the harmonics of F0 are shifted by the same amount, the sound is called an inharmonic complex and the pitch is shifted linearly from F0

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Summary

Introduction

Pitch is a perceptual correlate of periodicity (Oxenham, 2012). The pitch of a sound can be measured by matching it to a pure tone (Hartmann, 1997). Sounds with the same repetition rate generally share the same pitch. The spectra of the sounds, can be distinct, which results in different timbre. The equivalence of pitch is the basis of how we recognize the same piece of music played by different instruments. Pitch is an important cue to group together harmonic frequencies that often arise from the same vibration source and helps segregate sound sources

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