Abstract

The article states that literature without a national character, without traditions, cannot exist, has a national character - its element, the legitimacy of development. It is possible that each national literary path and history created together with the life of the people, under the influence of various social and political situations, are subjected not only to depressive, but also to periodic obstacles, sometimes progressing, outpacing the pace of development of society. But one thing is obvious, that the historical development of literature occurs spontaneously in the national channel, solely on the basis of national traditions. 60-80-ies Kazakh poetry is a feature of national values, a new attitude to tradition and other decisive relationships. Along with the continuation of the traditions of fine instruments, the issues of his artistic development, making changes worthy of time and enrichment have become relevant. The national worldview in Kazakh poetry is a national poetic tradition. The national poetic tradition is a precious pillar of all creativity. One way or another, the tradition did not develop, did not manifest itself in its specifics due to the differences of the epoch and time, there was no creation of tradition. Although traditions are developing and enriched with innovation, in the 60s the galaxy of poets that entered our literature continued the tradition and acquired a new character in our poetry. This is given a scientifically based maximum assessment. What is the role of lyrics in the national poetry that has become the object of research, and what is its nature, what values sprouted from its soils of that time and spread leaves, and what is its path of growth leading to, answering the questions, in what orientation and at what level, we put forward the significance of our work. Studying the trends of Kazakh poetry of the 60-80s, in order to comprehensively and deeply cover the rich heritage, we decided to limit ourselves to the work of a certain group of poets. Also, based on the works of many scientists, we have shown that Kazakh poetry has a deep source. All these conclusions, balanced thoughts and conclusions that we observe during the study of the national character of the Kazakh poem reflect what has been said.

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