Abstract
The elusive Ninevite 5 culture of northern Mesopotamia has repeatedly defied attempts by archaeologists to fathom its mysteries. In this article the relationship between the painted and incised styles of Ninevite 5 pottery is investigated with the help of Hercule Poirot who was present when Ninevite 5 was given its name.' The evidence from earlier excavations and from recent rescue work in northern Iraq is examined and a new verdict on the development of the Ninevite 5 pottery styles is reached.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
