Abstract
Among the philosophical discourses in the understanding of the phenomenon of music, the cultural and anthropological one is gaining increasingly more relevance. Located in the direction of the modern paradigm of art history, cultural and anthropological research, this approach expands the traditional perspectives of musicological and philosophical analysis and allows considering music and musical instruments in the context of processes occurring in the sphere of human cultural existence. In the article, music is considered as a specifically anthropological phenomenon that reflects not only the external sociocultural aspects of human existence, but also, first of all, its fundamental essential bases (thinking, feelings, cathartic outlets, etc.).
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