A Multitude of Eyes, Tongues, and Mouths: Readerly Agency in Shakespeare's Sonnets

Abstract

SUMMARYThis essay analyses how Shakespeare's sonnets theorise readerly agency. It begins with a brief analysis of English sonnet culture's development from its Continental roots, showing how English sonnets were initially perceived as documents of socially elite circles. By the 1590s, however, as English sonnets became widely popular, they exhibited a complex tension between elite social status and what many believed to be vulgar, empty popularity. By the time Shakespeare wrote his, much of the initial burst of popularity had waned. Belated as they are, Shakespeare's sonnets comment productively on the importance of popularity and the role of ‘ordinary’ readers in constructing cultural value. Many scholars have argued that an inability to control readership—and keep poetry out of the hands of low-status readers—was a source of anxiety to writers in this period. However, this essay claims that Shakespeare's sonnets regularly suggest that the very lack of control over readership is what gives sonnets their cultural value. Although sonnets may have originated in socially elite spaces, Shakespeare suggests that their cultural power comes not from those elite communities, but from widespread circulation to common readers, whose varied readings shape the poems and their afterlives. Shakespeare's sonnets thus claim a cultural status for common readers that can be distinguished from the social status of elite communities in which sonnets were often understood to circulate.