Abstract
ABSTRACT In the Middle Ages, angels were a constant presence and participated with the faithful in praising God. Due to the manifold roles played by angels in Christian theology, it is not surprising that they were a popular subject for church decoration. At the abbey church of Sainte-Foy at Conques, the attention paid to and regard for angels was expressed to an exceptional degree and therefore provide an excellent case study through which to understand how monumental sculpture communicated monastic identity and exegesis. This article considers the formal attributes and spatial arrangement of the sculpted angels at Conques as they relate to early medieval monastic conceptions of angels’ function and role within the heavenly community, providing the monks with a celestial model to negotiate the boundaries between the active and contemplative life as articulated by Gregory the Great and the Venerable Bede.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
