Abstract
This study delves into the misidentification of a seated female figure in meditation, displayed at the National Museum Bangkok, now identified as Bhr̥kuṭī. The statuette, dating back to approximately 750–850 ce, showcases unique attributes, such as a distinctive stūpa on the deity’s hair topknot. Analyzing its iconography, the notice traces the evolution of Bhr̥kuṭī’s representation from South to Southeast Asia, highlighting her diverse forms and roles in Buddhist art history. The study challenges established norms, proposing a potential import hypothesis, and emphasizes the intricate interplay of regional influences, artistic diversity, and the evolving roles of Buddhist female deities.
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