Abstract
Composed between 2020 and 2022 by Guillaume Malaret, Érodé is a musical piece created from field recordings at Eagles Nest, a tidal island in Australia’s Bunurong National Marine Park. Based on an interview with Guillaume Malaret, this article addresses several issues concerning digital representations, renderings, and ecologies of geological, hydrological, and sonic spaces, as well as the cultural geographies of landscape, embodiment, and affect. We explore the potentials of sonic composition and geophonic recordings for mediating bodily connections with difficult-to-imagine processes, such as environmental change over deep time. Our dialogue throughout this article contributes to emerging themes in digital ecological research by focusing on the materialities of digitization, digitally mediated creative practices in sonic geography, and the importance of different affective registers for comprehending environmental transformation.
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