Abstract

RESUMO Com base nas noções de campo de presença e de acontecimento, desenvolvidas pela gramática tensiva, são propostas duas formas de memória como categoria analítica dos discursos autobiográficos: a memória do acontecido e a memória-acontecimento. Essas organizações discursivas da memória determinam modos diferentes de adesão do enunciatário aos discursos, uma vez que a primeira coloca em cena estratégias que privilegiam a legibilidade do texto e a segunda explora sua dimensão sensorial e afetiva. Tendo isso em vista, o objetivo central deste artigo é investigar, no quadro teórico da semiótica discursiva, a interação entre enunciador e enunciatário em diferentes gêneros autobiográficos, como a autobiografia literária em prosa, os poemas de caráter autobiográfico e os memoriais acadêmicos. Em cada gênero, a memória do acontecido e a memória-acontecimento se articulam de forma singular. É justamente a tensão que se estabelece entre essas duas memórias, entre essas duas formas de conhecer e produzir o mundo, que parece ser fundadora dos discursos autobiográficos.

Highlights

  • ■■ ABSTRACT: Based on the notions of field of presence and event, developed by Tensive Grammar, this study proposes two discursive types of memory as an analytical category: the past-event memory and the event memory

  • Memórias inventadas: a terceira infância (2008, p.I) by Manoel de Barros presents as the “donors of his fountains”: the “birds”, the “drifters” and the “child”

  • While in Manoel de Barros the small things are in focus – the “sparrows”, the “frog” – in Humberto Campos’ (1947) book Memórias the reader is invited to learn the stories of the great deeds of a man who overcomes all things to take a “seat at the Academy and a chair at the Parliament” (CAMPOS, 1947, p.8)

Read more

Summary

Mariana Luz Pessoa de BARROS*

■■ ABSTRACT: Based on the notions of field of presence and event, developed by Tensive Grammar, this study proposes two discursive types of memory as an analytical category: the past-event memory and the event memory. The type of corpus gathered for this research enhances the study of the relations between enunciative contracts and autobiographic genres, as well as the relations between genres from different circulation spheres, in this case, academic and literary The texts of this corpus, though from a variety of genres, have some characteristics in common: firstly, the effect of identity, emerging from different resources, between enunciator, narrator and protagonist (main actor of what is narrated); secondly, the presence of a narrator in the present (time of narration), who tells retrospectively the life of the protagonist in the past (time of the narrated action); thirdly, the theme around “my life”. To investigate the ways in which the enunciatee is affected sensibly in the different autobiographic genres and how this sensitizing from the enunciator interferes in the fiduciary relationship established between communicative partners

The levels of autobiographic discourse
Poetry shipwrecks!
Event memory
Findings
Between the sensible and the intelligible
Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call