A memória das coisas na expressão da dança: Ismael Ivo e o café

Abstract

The paper analyses the performance of I had too much coffee, by Ismael Ivo, directed by the German Ralf Schmerberg in 2002. From the audiovisual document, the human values expressed through the dancer’s body language bring forth the concepts of «colonial» and «decolonial». The audiovisual is rich in references to body language and can be interpreted through the concept of intrigue within Paul Ricœur’s narrative framework. The research examines and identifies the social meanings of coffee cultural memory by understanding virtual narratives in times of dystopia and the meanings that emerge from the concept of colonialism. The study utilises the selection of audiovi-sual material and describes the elements of document analysis based on social theory criticism, enabling us to confront contemporary impressions and the chosen memories of the past. The analy-sis yields an understanding that goes beyond the immediate perceptions enabled by entertainment, thus integrating the operative arguments of social reality.