A Memorial Tribute: Peter Barnes: the Playwright who Laughed at Death

Abstract

The death on 1 July 2004 of the playwright Peter Barnes robbed the British theatre of one of its most individual and richly imaginative yet shamefully neglected writers. Although his best known work for the theatre – which included The Ruling Classes, The Bewitched, Laughter, Red Noses, and Dreaming – won widespread admiration, and his later radio and television work brought him before a wider public, he remained a theatrical outsider, his plays transcending the conventions of critical labels and movements – the singe discernible influence that of Ben Jonson, whose eccentric genius he championed throughout his life. Here we include three personal tributes: the oration delivered at Barnes's funeral by the stage and screen actor Alan Rickman; recollections from the avant-garde director Charles Marowitz of his association with Barnes's early career at the Traverse and his own Open Space Theatre in the 'sixties; and the impressions of a personal friend, the lecturer and writer Elaine Turner. An analytical assessent of Peter Barnes's work will appear in a later issue.