Abstract

Erico Verissimo was defined as a storyteller, one of the most popular writers of the twentieth century. Narrated in The Continent I, south of Rio Grande saga, not because he liked the literary regionalism, but seek to unravel the presence of an inner life in those inhabitants of the campaign. The author came to believe that those rough men were devoid of any psychological complexity, and that, to recreate two hundred years of history, these men become heroic characters. Based on the way that Erico Verissimo writes and is the saga Weather and Wind, this article takes as its point of research the main theme that will delimit the characteristics of men and their behavior within the narrative, leading the study of the Continent I of its construction, and its main characters, in the light of mythology. The analysis is reasoning the form used by Erico Verissimo the construction of the saga and the role of characters, blending history and fiction. Thus, as a literary matter, its mythical character offers a range of possibilities for analysis, especially the overlap between history and literature. This analysis has as main objective to identify the existence of a relationship between regional and universal mythology on the novel by Erico Verissimo, identifying the times when the historical narrative and mythological establish a dialogical character, thus leading to observation of possible features and objects make reference to the main characters of The Continent I with the mythical universe. The understanding of myth in society is not only realize a stage in the history of human thought, but understand that nowadays they are attached, and identify at what point the demonstrations, considered by some as exaggerations, should be recognized as human phenomena, because only when it considers such conduct under the historical-religious perspective is that such forms may prove to be phenomena of culture.

Highlights

  • Erico Verissimo was defined as a storyteller, one of the most popular writers of the twentieth century

  • The understanding of myth in society is realize a stage in the history of human thought, but understand that nowadays they are attached, and identify at what point the demonstrations, considered by some as exaggerations, should be recognized as human phenomena, because only when it considers such conduct under the historical-religious perspective is that such forms may prove to be phenomena of culture

  • Santa Cruz do Sul, v. 40, n. 68, p. 92-110, jan./jun. 2015. http://online.unisc.br/seer/index.php/signo alguém que cria o gado e trabalha a cavalo ou trabalha para quem cria o gado

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Summary

Centauro dos pampas: a construção da mitologia sul-rio-grandense

São muitos os críticos que afirmam a impossibilidade de se analisar o povo gaúcho sem conhecer a etimologia da palavra que define o termo “gaúcho”. Essas características comuns também apresentavam pontos inexplicáveis, como o fato dos três tipos de gaúchos serem refratários a montar em éguas, o que Reverbel Entre as heranças portuguesas e espanholas recebeu o cavalo – mais tarde, por ser inseparável ao animal, seria chamado por alguns escritores como “centauro dos pampas” – herdou também a faca, utensílio de grande importância para o cotidiano do gaúcho e objeto simbólico utilizado por Erico Verissimo. A palavra gaúcho está associada em nosso espírito a termos como macho, bravo, violento, mulherengo, aventureiro, nobre, generoso...Talvez eu não esteja muito longe da verdade se disser que, antes de ter corpo e nome, o Capitão Rodrigo era uma ideia no meu cérebro – de certo modo o símbolo de uma rude estirpe e duma era áspera. Santa Cruz do Sul, v. 40, n. 68, p. 92-110, jan./jun. 2015. http://online.unisc.br/seer/index.php/signo alguém que cria o gado e trabalha a cavalo ou trabalha para quem cria o gado

De Blau Nunes a Rodrigo Cambará: uma visão da literatura Sul-Rio-Grandense
Mitologia e simbolismo nas obras de Erico Verissimo
Erico Verissimo e o mito do contador de histórias
A construção da narrativa e dos personagens em O Continente I
Ana Terra e Pedro Missioneiro como personagens épicas e míticas
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